Font Hero

Free for Commercial Use

Sans Superellipse Jaru 5 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Neil Bold' by Canada Type, 'Cimo' by Monotype, 'Quandor' by Stiggy & Sands, and 'FTY Konkrete' by The Fontry (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, punchy, retro, assertive, sporty, impact, distance legibility, brand stamp, retro utility, space efficiency, blocky, condensed feel, rounded corners, squared curves, compact counters.


Free for commercial use
Customize the font name

A heavy, block-built sans with a superelliptical skeleton: strokes resolve into rounded-rectangle curves and softened corners rather than true circles. Vertical stems dominate, with compact, mostly rectangular counters and minimal aperture openings, creating a tight, high-density texture in text. Terminals are generally blunt and flat, while joins stay clean and geometric; the lowercase is robust and simplified, with a single-storey a and g and short, sturdy arms and spurs. Numerals follow the same squared-round logic, reading solid and sign-like with uniform, monolinear behavior.

Best suited for display settings where impact is the priority: headlines, posters, storefront or wayfinding-style signage, and bold packaging. It can also work for logo wordmarks and sports or event branding where a compact, forceful texture is desirable, especially at larger sizes.

The overall tone is loud and confident, with a utilitarian, poster-ready presence. Its squared-round curves give a retro-industrial flavor that feels at home in sports, arcade, or stencil-adjacent display contexts, projecting strength and immediacy more than delicacy.

The design appears aimed at maximizing visual punch with simplified, geometric letterforms built from rounded rectangles, delivering strong legibility at distance and a distinctive, industrial-leaning personality. It prioritizes mass, consistency, and a tight rhythm for attention-grabbing typography.

In running lines the dense forms and tight interior space produce a dark, even color, so letterspacing and size have a strong impact on clarity. Distinctive shapes—like the squared bowls and the angular diagonals in K, N, and X—help maintain character separation despite the compact counters.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸