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Free for Commercial Use

Sans Contrasted Enlu 11 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Solitas Contrast' by insigne (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, retro, circus, playful, poster, quirky, display impact, vintage flavor, brand character, headline clarity, flared, soft-cornered, compressed caps, vertical stress, rounded terminals.


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This typeface presents a compact, display-oriented structure with tall capitals and a relatively regular x-height. Strokes show pronounced contrast, with many letters built from sturdy vertical stems paired with noticeably thinner horizontals and joins. Terminals are largely rounded or softly squared, giving counters a smooth, bulb-like feel in letters such as B, D, O, P, and Q. Several forms include subtle flaring and tapered joins, creating a lively rhythm across words while keeping an overall clean, sans-driven skeleton.

It performs best in short-to-medium headline settings where its contrast and compact proportions can read clearly: posters, signage, packaging fronts, and distinctive brand marks. It can also work for subheads and pull quotes where a decorative, vintage-leaning voice is desired, while longer text will benefit from generous size and spacing.

The tone is theatrical and slightly nostalgic, evoking vintage poster lettering and show-card typography. Its mix of hefty verticals and fine connecting strokes reads confident and attention-grabbing, with a quirky charm that feels upbeat rather than formal. The overall impression is friendly and decorative, suited to bold statements and characterful headlines.

The design appears intended as a decorative sans display with a vintage show-poster sensibility, using strong vertical emphasis and tapered details to create impact. Its forms prioritize personality and punch over neutrality, aiming for recognizable shapes and a rhythmic, high-contrast texture in word settings.

The capitals appear more tightly proportioned than the lowercase, which helps establish a strong headline voice. Curves are smooth and generous, and round glyphs maintain a consistent, slightly condensed silhouette. Numerals follow the same contrasted logic, with prominent vertical weight and lighter cross-strokes for a cohesive texture in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸