Cursive Funol 1 is a light, very narrow, medium contrast, italic, very short x-height font.
Keywords: branding, logotypes, invitations, packaging, social posts, elegant, airy, personal, romantic, graceful, signature look, modern calligraphy, expressive display, personal tone, brushy, fluid, monoline, looping, tall ascenders.
A fluid, handwritten script with a pronounced rightward slant and an airy, open rhythm. Strokes feel brush-pen driven, with smooth curves, tapered terminals, and occasional stroke thickening that reads as natural pressure rather than rigid contrast. Letterforms are generally narrow and tall, with long ascenders and descenders and a compact lowercase core that keeps counters small and tidy. Connections between letters are intermittent—many joins flow naturally in words, while some forms remain slightly separated—giving the line a lively, hand-drawn cadence. Numerals are similarly cursive in spirit, with simple, streamlined shapes and subtle hooks at entry and exit strokes.
Works well for branding moments that benefit from a signature feel—logos, boutique packaging, beauty and lifestyle labels, and campaign headlines. It also suits invitations, greeting cards, and short editorial pull quotes where the flowing cursive can be set at generous sizes for clarity.
The overall tone is polished and personable, balancing casual handwriting energy with a refined, modern calligraphic feel. Its light touch and looping forms suggest warmth and intimacy, making it feel suited to expressive, human-centered messages rather than strictly utilitarian text.
Designed to evoke a contemporary hand-lettered signature with smooth brush movement and elegant proportion, aiming for expressive readability in short phrases and display settings.
Uppercase letters lean toward signature-style capitals with generous loops and sweeping entry strokes (notably in forms like S, Q, and Z), creating strong initial-letter presence. Lowercase includes distinctive looped descenders and occasional closed/teardrop counters that add personality, while punctuation-like details (such as the i/j dots) remain minimal and understated in the sample setting.