Sans Normal Olleh 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Lyu Lin' by Stefan Stoychev, 'TT Norms Pro' by TypeType, 'Giane Gothic sans' by XdCreative, and 'Leubner' by words+pictures (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, confident, modern, approachable, energetic, impact, clarity, modernity, approachability, simplicity, geometric, rounded, compact, clean, punchy.
A heavy, geometric sans with broad, rounded curves and clean, largely uniform strokes. Counters are generous and mostly circular, while terminals are predominantly flat, giving the face a solid, compact silhouette. Uppercase forms lean toward simple, constructed shapes; diagonals in A, V, W, and Y are sturdy and wide-set, and the numerals share the same round/straight hybrid logic for consistent color. Lowercase shows single-storey construction in a and g, with short, practical ascenders/descenders and a sturdy, utilitarian rhythm suited to dense settings.
Best suited to headlines, branding, packaging, and signage where a strong, compact voice is needed. It also performs well in short editorial callouts and UI hero text, where its round counters and sturdy construction keep word shapes clear while maintaining a bold, modern presence.
The overall tone is direct and contemporary, with a friendly roundness that keeps it from feeling severe. Its weight and compact proportions convey confidence and impact, while the smooth geometry reads approachable and consumer-facing rather than technical or institutional.
The font appears designed to deliver maximum visual impact with simple geometric forms and high legibility, emphasizing clear shapes, consistent curves, and a strong typographic color for contemporary display and brand applications.
The design maintains a consistent geometric logic across letters and figures, producing strong, even typographic color in paragraphs. Round characters (O, C, G, 0, 8, 9) are prominent and smooth, while squared joins and flat cuts prevent the face from becoming overly soft; this balance helps it stay clear at display sizes and in short lines of text.