Sans Superellipse Agrah 4 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Mako' by Deltatype, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Ordax' by The Northern Block, and 'Breuer Condensed' by TypeTrust (names referenced only for comparison).
Keywords: ui labels, signage, headlines, tables, packaging, clean, technical, modern, orderly, utilitarian, space efficiency, systematic geometry, neutral clarity, modern utility, condensed, rounded corners, squared curves, monoline, open apertures.
A condensed, monoline sans with squared, superelliptic curves and distinctly rounded corners. Strokes maintain an even weight with minimal modulation, producing a tidy, engineered texture. Bowls and counters tend toward rounded-rectangle geometry, while joins are crisp and consistent, creating a controlled rhythm in both caps and lowercase. Numerals follow the same narrow proportions and softened terminals, staying clear and compact in text.
This font suits interface labels, navigation, and compact editorial layouts where horizontal space is limited. Its condensed proportions and consistent stroke make it effective for headlines, signage, and information-heavy settings such as tables, dashboards, and product packaging that benefit from a clean, technical look.
The overall tone is modern and functional, with a slightly industrial precision softened by rounded corners. It feels neutral and orderly rather than expressive, projecting clarity and efficiency in reading environments.
The design appears intended to deliver a space-efficient sans with a geometric, superelliptic construction, balancing a machine-like regularity with softened corners for smoother text color. It prioritizes consistent rhythm and compact clarity across letters and numerals for practical, contemporary typography.
The condensed width and uniform stroke create a strong vertical cadence, especially in all-caps settings. Round characters (like O, C, G) read as squarish-round, reinforcing the geometric theme, while the punctuation and figures appear designed to match the same compact, systematic proportions.