Print Pumin 3 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Myriad', 'Myriad Arabic', 'Myriad Bengali', and 'Myriad Devanagari' by Adobe; 'Calima' by JCFonts; and 'JAF Domus Titling' by Just Another Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids media, brand marks, playful, chunky, friendly, hand-drawn, retro, bold impact, friendly tone, handmade feel, display emphasis, rounded, bouncy, soft corners, marker-like, textured.
A heavy, hand-drawn display face with rounded, inflated forms and softly blunted terminals. Strokes show deliberate irregularities and subtle internal notch/ink-trap-like cut-ins that create a lively, crafted texture rather than a flat geometric fill. Curves are generously widened and counters stay fairly open for the weight, while joins and horizontals have a slightly wobbly, drawn rhythm. Overall spacing feels loose and buoyant, emphasizing big silhouettes and informal consistency over strict uniformity.
Best suited for short, attention-grabbing text such as posters, headlines, product packaging, and playful brand marks. It can work for subheads or short blurbs where a friendly hand-drawn personality is desired, but the strong weight and textured interiors make it less ideal for long-form reading at small sizes.
The font reads as cheerful and approachable, with a comic, craft-forward energy. Its chunky shapes and lightly imperfect detailing give it a nostalgic, poster-like warmth that feels playful rather than polished or corporate. The overall tone is upbeat and casual, suited to lighthearted messaging.
The design appears intended to deliver a bold, informal handwritten feel with a consistent, repeatable alphabet—combining rounded, cartoon-like proportions with subtle drawn-in texture to keep large text engaging. It prioritizes character and impact while maintaining recognizable letterforms.
The distinctive interior cut-ins are most noticeable in round letters and numerals, adding visual sparkle at large sizes but also increasing texture in dense paragraphs. Diacritics and punctuation are not shown; the sample demonstrates clear separation between letters without any connecting strokes.