Sans Superellipse Tibid 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Alternate Gothic' by Bitstream, 'CF Blast Gothic' by Fonts.GR, 'Alternate Gothic' by Linotype, 'Alternate Gothic Pro' by SoftMaker, and 'Alternate Gothic' by Tilde (names referenced only for comparison).
Keywords: posters, headlines, packaging, labels, signage, industrial, utilitarian, rugged, playful, space saving, high impact, print texture, bold branding, condensed, blocky, stamped, rounded corners, inked edges.
A condensed, heavy sans with compact proportions and rounded-rectangle construction in the curves. Strokes are broadly uniform, producing dense, vertical letterforms with a tight internal rhythm. Many terminals and edges show slight irregularity and soft, inked corners, giving the outlines a subtly distressed, print-like finish. Counters are small but generally open enough to keep key shapes clear, and the overall set reads as bold, blocky, and tightly set.
Best suited to short, high-impact text such as posters, headlines, packaging, labels, and signage where a dense, bold voice is helpful. It can add character to brand marks and display treatments, especially in contexts that benefit from a stamped or rugged printed texture. For longer text, it will be more effective in larger sizes and with generous spacing due to its tight counters and condensed build.
The tone is tough and workmanlike, with a hint of handmade character from the uneven edges. It evokes stenciled packaging, poster paint, or worn print—assertive and attention-grabbing without becoming ornate. The condensed heft adds urgency and punch, suitable for loud, straightforward messaging.
The design appears intended to combine a compact, space-saving silhouette with a robust, geometric backbone, then soften it with lightly distressed edges for a tactile print impression. It prioritizes immediacy and presence, aiming for a strong display voice that feels practical and slightly weathered.
The lowercase follows the same compact, sturdy logic as the caps, with single-storey forms (notably in a and g) that reinforce the simplified, geometric feel. Numerals are similarly stout and condensed, designed to match the texture of the letters. The slight roughness is consistent across the set, reading as a deliberate texture rather than random noise.