Sans Superellipse Mese 7 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Core Sans D' and 'Core Sans DS' by S-Core, 'Heading Now' by Zetafonts, and 'Artico' by cretype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, sporty, retro, energetic, bold, friendly, impact, motion, compactness, approachability, rounded, compact, oblique, soft corners, chunky.
A compact, heavy oblique sans with rounded-rectangle construction and generous corner radii. Strokes stay broadly even, creating solid, inky silhouettes with minimal modulation. Curves and terminals are softened into superellipse-like rounds, while counters are relatively tight, giving the text a dense, punchy texture. Uppercase forms feel condensed and upright in structure but slanted overall; lowercase maintains simple, single-storey shapes (notably the a and g) with sturdy stems and rounded joins.
Best suited to short, high-impact settings such as headlines, posters, badges, and brand marks where a dense, slanted presence helps grab attention. It also fits packaging and apparel graphics where rounded, chunky shapes reproduce well and keep a friendly edge. For longer text, it will perform most comfortably in larger sizes where the tight counters remain clear.
The overall tone is energetic and extroverted, with a sporty, retro-leaning voice. Its soft corners keep the weight from feeling harsh, making it feel approachable even at high impact. The strong slant adds motion, suggesting speed and momentum.
The design appears intended to deliver maximum visual punch in a compact footprint, combining a consistent oblique stance with rounded, superellipse-inspired geometry. It prioritizes bold clarity and a sense of movement, aiming at display applications that benefit from a sporty, retro-modern personality.
Numerals are thick and compact with rounded corners that match the letterforms, producing a cohesive, logo-like rhythm. The italic angle is consistent across caps, lowercase, and figures, and the spacing appears tuned for headline density rather than airy reading.