Print Itguz 12 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Artegra Soft' by Artegra, 'Miura' by DSType, 'Core Sans M' by S-Core, 'Brilk' by Typesketchbook, and 'Banana Bread Font' by TypoGraphicDesign (names referenced only for comparison).
Keywords: kids branding, posters, packaging, stickers, headlines, playful, friendly, whimsical, cartoonish, casual, approachability, handmade feel, playful display, friendly impact, rounded, blobby, soft, bouncy, chunky.
A heavy, rounded, hand-drawn print style with soft, bulbous terminals and gently uneven stroke edges that mimic marker or brush fill. Forms are simplified and slightly irregular, with a bouncy baseline feel and variable sidebearings that create an organic, handmade rhythm. Counters are open and friendly; curves dominate, and corners are consistently softened, giving the letters a plush, inflated silhouette. Uppercase and lowercase share a cohesive, informal construction with sturdy stems and compact, rounded bowls.
Best suited for playful display applications such as children’s materials, snack or candy packaging, event posters, stickers, social graphics, and cheerful headlines. It also works well for short callouts, titles, and logotype-style wordmarks where a friendly, hand-made presence is desired.
The overall tone is upbeat and approachable, leaning into a kid-friendly, humorous personality. Its plump shapes and hand-rendered irregularities suggest warmth and spontaneity rather than precision, making it feel conversational and lighthearted.
Likely intended to capture an informal, hand-lettered look with maximum friendliness and impact—bold enough for quick recognition, but softened to avoid harshness. The design emphasizes charm and approachability through rounded geometry, simplified structures, and intentionally imperfect consistency.
The font’s visual weight is carried by broad curves and thick joins, which can cause tighter interior spaces in letters like a, e, s, and 8 at smaller sizes. The lively spacing and slightly varied widths add charm in short bursts, while longer passages read best with generous line spacing to maintain clarity.