Sans Superellipse Iffu 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Phatthana' by Jipatype and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, techno, industrial, sporty, assertive, compact, impact, modernity, signage, branding, legibility, squared, rounded corners, blocky, geometric, chunky.
A heavy, geometric sans built from squarish, rounded-rectangle forms with generous corner radii and tightly controlled curves. Strokes are uniform and dense, with large counters that often read as rectangular apertures (notably in O, D, P, and B), creating a strong stencil-like solidity without true breaks. Terminals are mostly flat and squared, and curves resolve into soft corners rather than circles, giving the alphabet a consistent superellipse rhythm. Spacing and proportions favor broad, stable silhouettes; diagonals (A, V, W, X, Y) are thick and crisp, while bowls and shoulders remain compact and boxy.
Best suited to large sizes where its chunky geometry and rectangular counters can project clearly—headlines, posters, logotypes, and bold brand lockups. It also fits packaging, labels, and wayfinding-style graphics that benefit from a sturdy, high-impact sans with a techno-industrial edge. For long text, its dense color and compact interior shapes are likely most comfortable in short bursts rather than extended reading.
The overall tone is bold and utilitarian, with a distinctly engineered, modern feel. Its rounded-square geometry suggests tech interfaces and industrial labeling, while the sheer mass and simplified forms convey confidence and impact. The texture reads compact and punchy, leaning more toward display emphasis than subtle editorial nuance.
The design appears intended to deliver a modern, engineered display voice using rounded-square construction and uniform stroke weight. By prioritizing simplified geometry, strong counters, and wide, stable forms, it aims for immediate legibility and a distinctive, contemporary presence in branding and titling contexts.
Lowercase shapes largely mirror the same squared-round construction, keeping a consistent voice between cases; dots on i/j are circular and prominent, adding a small note of friendliness against the otherwise block-like structure. Numerals follow the same rounded-rect logic, with strong, open counters and a streamlined, sign-like clarity.