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Free for Commercial Use

Distressed Jevy 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Hanley Pro' by District 62 Studio, 'Helvetica Now' by Monotype, 'Lyu Lin' by Stefan Stoychev, 'NeoGram' by The Northern Block, 'Aksioma' by Zafara Studios, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, packaging, merch, album art, rugged, playful, handmade, retro, punk, add grit, evoke diy, create impact, suggest printwear, rough-cut, blotchy, chunky, organic, inked.


Free for commercial use
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A heavy, blocky alphabet with irregular, rough-cut contours and subtly uneven stroke edges that suggest worn printing or hand-inked stamping. Letterforms are mostly upright and broadly proportioned, with simplified, rounded geometry and compact counters that vary slightly from glyph to glyph. The texture is consistent across caps, lowercase, and numerals, creating a cohesive, intentionally imperfect rhythm that stays legible while embracing edge noise and small nicks.

Best suited to display settings where texture and personality are an asset: posters, bold headings, packaging callouts, merchandise graphics, and entertainment or music-related branding. It can also work for short passages in large sizes when a rough, handmade voice is desired.

The overall tone feels gritty and mischievous—like DIY flyers, comic signage, or a rubber-stamp headline with character. Its irregularity adds attitude and approachability at the same time, giving text a lively, informal energy rather than a polished finish.

The design appears intended to mimic distressed, hand-printed lettering while preserving clear silhouettes and straightforward construction. Its goal is to deliver instant visual character—rough, tactile, and energetic—without sacrificing readability in prominent, high-impact text.

Caps read as poster-ready shapes with strong silhouettes, while the lowercase keeps a similarly chunky construction that maintains weight and presence in paragraphs. Numerals follow the same roughened treatment and stand up well as attention-getting figures, especially at larger sizes where the texture becomes part of the personality.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸