Sans Superellipse Asnob 9 is a light, narrow, monoline, upright, short x-height font.
Keywords: ui labels, wayfinding, tech branding, packaging, posters, futuristic, minimal, technical, clean, modular, system design, modernization, space economy, geometric uniformity, interface clarity, rounded corners, geometric, squared, linear, crisp.
This typeface is built from slim, consistent strokes with a rounded-rectangle construction. Curves resolve into soft corners rather than true circles, giving bowls and counters a squared, superelliptical feel (notably in C, O, Q, and lowercase o/e). Terminals are clean and mostly flat, and the joins stay restrained, producing an even, engineered rhythm. The lowercase shows compact proportions with simple, uncluttered forms; the single-storey a and g and the open, squared counters reinforce the geometric system. Numerals follow the same rounded-rect logic, with a narrow, streamlined presence and clear, schematic silhouettes.
It suits interface typography, dashboard labels, and product UI where compact, consistent forms are valuable. The clean, rounded-rect geometry also works well for technology branding, signage/wayfinding systems, and contemporary packaging or poster headlines that want a controlled, modern look.
The overall tone is contemporary and tech-forward, with a calm, utilitarian restraint. Its rounded-rect geometry adds a friendly softness to an otherwise precise, schematic voice, evoking interfaces, devices, and modern wayfinding rather than editorial warmth.
The design appears intended to provide a coherent, system-driven sans with rounded-rectangle forms that read as modern and engineered. By keeping strokes consistent and shapes tightly coordinated, it aims for clarity, compact efficiency, and a distinctive geometric signature suitable for contemporary digital contexts.
Letterforms maintain a consistent superelliptical vocabulary across rounds and straights, which helps longer text feel orderly despite the condensed feel. Distinctive shapes—like the compact, squared e and the simple, open apertures—prioritize clarity and system consistency over calligraphic nuance.