Font Hero

Free for Commercial Use

Outline Mihy 3 is a very light, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, album art, game ui, tech branding, retro tech, arcade, schematic, experimental, playful, digital feel, retro futurism, visual novelty, systematic geometry, display impact, geometric, monoline, orthogonal, wireframe, segmented.


Free for commercial use
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A geometric outline face built from thin, monoline rectangular paths with open counters and frequent step-like notches. Strokes follow an orthogonal, grid-driven logic—straight horizontals and verticals with sharp corners—often leaving small breaks and offset overlaps that create a layered, “drawn with a plotter” look. Curves are largely squared-off, and many characters incorporate internal cut-ins that read like pixel or circuit traces rather than traditional terminals. Spacing appears fairly open, supporting the airy outline construction while keeping letterforms legible at display sizes.

Best suited to display applications where the outline construction can read clearly: headlines, posters, packaging accents, album or event graphics, and titles for game or tech-themed interfaces. It can also work for short logotypes or wordmarks that benefit from a schematic, wireframe aesthetic, rather than long passages of small text.

The overall tone feels like retro digital signage—part arcade, part technical diagram. The stepped details and wireframe contours give it a synthetic, game-like energy, while the clean geometry keeps it precise and engineered. It comes across as quirky and experimental without becoming chaotic.

The font appears designed to evoke a modular, grid-based digital aesthetic through outline-only construction and deliberate notched cutouts. Its letterforms prioritize distinctive silhouette and a “constructed” feel, aiming for a futuristic/retro-tech voice that stands out in titles and branding.

The design leans heavily on consistent right angles and modular segments, which makes the alphabet feel systematized and intentionally constructed. Because the forms are purely outlined and quite delicate, the strongest impression is achieved when the outlines have enough pixel/print presence to avoid disappearing, and when used with generous tracking or in uncluttered layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸