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Sans Contrasted Kify 2 is a regular weight, wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, magazine, logotypes, futuristic, editorial, geometric, experimental, sleek, display impact, distinctive motif, modern branding, graphic contrast, monoline accents, cut-in terminals, banded strokes, high waistline, modular.


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This typeface is a geometric sans built from bold, rounded outer strokes interrupted by extremely thin internal cuts and hairline connectors. Many letters show a distinctive “banded” construction: thick top and bottom (or left and right) segments with a crisp, narrow gap through the middle, creating a strong horizontal rhythm. Curves are broadly circular and smooth, counters are compact and often segmented, and joins frequently resolve into sharp, blade-like wedges where thick strokes meet hairline stems. The overall width runs generous, with simplified forms and a consistent, graphic logic that prioritizes silhouette and contrast over continuous stroke modulation.

Best suited to large sizes where the hairline cuts and internal gaps can be clearly resolved—headlines, posters, magazine titling, brand marks, and visual identities. It can also work for short UI or packaging callouts when space allows, but it is primarily a display face rather than a body-text workhorse.

The tone reads modern and engineered, with a fashion/editorial edge. Its sliced interiors and hairline spines give a techno, display-oriented feel—clean and sleek, but intentionally unconventional and attention-grabbing.

The likely intention is to create a high-impact display sans that feels both geometric and experimental, using extreme contrast and sliced counters to produce a distinctive rhythm and memorable letterforms. The system appears designed to deliver a consistent graphic motif across caps, lowercase, and numerals for cohesive branding and editorial applications.

The design relies on very thin strokes for key structural elements, producing dramatic figure/ground effects in letters like a, e, g, o, and s, and a striking stencil-like impression in several capitals. Numerals follow the same banded logic, emphasizing strong horizontals and bold outlines for a cohesive, poster-friendly texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸