Sans Superellipse Bomez 4 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, wayfinding, packaging, posters, brand systems, minimal, airy, modern, clinical, techy, geometric system, clean modernity, digital-first, minimal readability, friendly tech, monoline, rounded, geometric, open apertures, wide tracking.
A monoline sans with rounded-rectangle construction and softened corners throughout. Curves are built from broad superelliptical arcs that transition cleanly into straight stems, giving bowls and counters a squarish-round silhouette. Terminals are blunt and gently rounded; joins stay crisp, with little to no modulation, creating an even, wireframe-like rhythm. Proportions are tall and streamlined, with generous inner space in letters like O, D, and P, and a clean, simplified lowercase that keeps shapes open and uncluttered.
Works well for interface typography, captions, and informational settings where a clean, lightweight voice is desired. The distinctive superelliptical rounds also suit contemporary branding, packaging, and poster headlines—especially at medium to large sizes where the geometry can read clearly.
The overall tone is quiet and precise, leaning contemporary and technical. Its light touch and rounded geometry feel calm and approachable, while the strict, modular shapes add a slightly clinical, futuristic edge.
The font appears designed to translate a rounded-rectangle, superellipse-based geometry into a coherent, minimalist sans for modern digital and brand environments. The intent seems to balance friendliness from rounded corners with precision from strict monoline construction and simplified letterforms.
The design emphasizes consistent corner radii and smooth curve continuity, which makes straight-sided letters (E, F, H, L) and rounded letters (C, G, O, Q) feel like part of the same system. Figures follow the same rounded-rectangular logic, with clear, minimal forms and a consistent baseline presence.