Sans Superellipse Abliz 10 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Fabrikat Mono' by HVD Fonts; 'Karben 105 Mono' and 'Karben 205 Mono' by Talbot Type; and 'Decima Mono', 'Decima Mono Cyr', 'Decima Mono Pro', and 'Decima Mono Round' by TipografiaRamis (names referenced only for comparison).
Keywords: code ui, terminal, tabular data, labels, ui text, utilitarian, technical, clean, retro-digital, plainspoken, alignment, readability, system feel, terminal styling, ui utility, rounded corners, boxy, modular, compact, even rhythm.
A monospaced sans built from rounded-rectangle geometry, with squared proportions softened by consistent corner radiusing. Strokes are uniform and sturdy, terminals are flat, and counters tend toward rectangular or superelliptic shapes, producing a modular, grid-friendly texture. The curves in letters like C, G, O, and S read more like controlled bends than true circles, while joins stay crisp and economical. Numerals follow the same disciplined construction, maintaining consistent width and a steady baseline presence across the set.
Well suited to coding environments, terminal-style interfaces, and any layout that benefits from strict character alignment such as tables, specs, and logs. The rounded-rectangle construction also works nicely for UI labels, badges, and technical headings where a clean, controlled texture is desirable.
The overall tone feels pragmatic and engineered, with a subtle retro-computing flavor driven by its fixed-width spacing and boxy, rounded forms. It reads as straightforward and no-nonsense, prioritizing clarity and consistency over expressive calligraphy or warmth.
The design appears intended to deliver dependable monospaced alignment with a contemporary rounded-rect silhouette—balancing utilitarian readability with a distinctive, system-oriented look that nods to digital and terminal typography.
Its even character widths create a strong vertical rhythm and predictable word shapes, while the rounded corners prevent the grid-like construction from feeling harsh. At larger sizes the modular construction becomes a defining stylistic feature, giving text a structured, system-like cadence.