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Blackletter Aggo 6 is a bold, normal width, medium contrast, upright, normal x-height font.

Keywords: mastheads, posters, packaging, headlines, album covers, medieval, authoritative, ceremonial, dramatic, traditional, heritage, display impact, historical evocation, ceremonial tone, angular, ornate, textura-like, broken strokes, ink-trap notches.


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This blackletter design features compact, sharply broken strokes with prominent diamond-like terminals and deep internal notches that create a crisp, faceted rhythm. Letterforms are built from sturdy verticals and angled joins, with a consistent, calligraphic construction that reads as deliberately carved rather than smoothly drawn. Uppercase forms are more embellished and varied in silhouette, while the lowercase maintains a tighter, more repetitive texture, producing a strong banded pattern in words. Counters are small and tightly enclosed, and the numerals follow the same Gothic logic with angular curves and weighty stems.

Ideal for display settings such as mastheads, posters, event titles, and packaging that calls for a traditional Gothic voice. It also suits short blocks of text—pull quotes, chapter openers, or certificates—when set large enough to keep its angular interior detailing clear.

The overall tone is historic and ceremonial, evoking medieval manuscripts, heraldic signage, and traditional print. Its dense texture and sharp detailing convey authority and gravity, with a dramatic, old-world presence suited to titles and statements rather than casual communication.

The font appears intended to deliver a classic blackletter texture with strong vertical rhythm, pairing disciplined lowercase construction with more expressive capitals for emphasis. Its design choices prioritize historical character and visual authority over neutral readability, aiming for impactful, period-evocative typography.

At text sizes the repeated vertical rhythm becomes a dominant visual feature, with emphasis coming from distinctive capitals and the occasional rounded blackletter forms (notably in characters like O and Q). The design’s tight apertures and heavy joins suggest best performance where ample size or generous spacing can preserve detail and prevent darkening in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸