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Free for Commercial Use

Slab Contrasted Pyvi 4 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Dean Slab' by Blaze Type, 'Giza' by Font Bureau, 'Classroom JNL' by Jeff Levine, 'Egyptienne' by Linotype, and 'Egyptienne SB' and 'Egyptienne SH' by Scangraphic Digital Type Collection (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, logotypes, western, poster, vintage, rustic, playful, impact, vintage tone, display strength, blocky, bracketed, ink-trap, punchy, compact.


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A compact, heavy slab-serif with pronounced bracketed serifs and squared terminals. Strokes are thick with subtle internal modulation, and several joins show small notches/ink-trap-like cut-ins that sharpen counters and corners. The overall rhythm is dense and blocky, with tight-looking apertures and sturdy, rectangular proportions; lowercase forms keep a traditional structure (two-storey a, single-storey g) while maintaining the same chunky, slabbed texture. Numerals and caps read as bold, sign-like shapes with strong vertical emphasis and crisp, squared finishing.

Best suited to short, high-impact text such as headlines, poster titles, storefront-style signage, and bold packaging callouts. It can also work for logotypes or badges where a sturdy, vintage slab presence is desired, but it is less appropriate for long-form reading at small sizes.

The tone is assertive and attention-grabbing, evoking vintage display typography associated with posters and vernacular signage. Its chunky slabs and compact fit add a rustic, slightly theatrical feel that can read as both nostalgic and fun depending on setting.

The font appears designed to deliver maximum presence in a compact width, using heavy slabs, bracketing, and sharpened joins to create a distinctive, old-style display voice. Its letterforms prioritize impact and a recognizable silhouette over airy openness, aligning with poster and signage traditions.

The heavier details and tight internal spaces suggest it will hold best at larger sizes where counters and the small notches remain clear. The design maintains a consistent, all-over darkness, so whitespace management (tracking/line spacing) will strongly affect readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸