Sans Faceted Ihny 2 is a very light, normal width, monoline, upright, tall x-height font.
Keywords: headlines, posters, logotypes, packaging, ui display, techy, modular, retro, architectural, geometric, distinctive display, tech aesthetic, modular construction, retro futurism, outline, squarish, rounded corners, angular cuts, stencil-like.
A monoline outline design built from squarish forms with softened, rounded outer corners and occasional sharp step-ins and chamfered cuts. Bowls and counters are largely rectangular with clipped or notched joins, producing a constructed, faceted rhythm rather than smooth curves. Strokes maintain consistent thickness while interior terminals and apertures show small horizontal bites and planar breaks that give many glyphs a subtly mechanical, stencil-like articulation. The lowercase follows the same blocky construction with a tall x-height and compact ascenders/descenders, and numerals mirror the squared, notched geometry for a cohesive texture.
Best suited to short display settings such as headlines, posters, logotypes, and branding systems that want a technical or retro-futurist flavor. It can also work for UI display labels, game or sci‑fi themed graphics, and packaging where the outline look and faceted details can be showcased at moderate to large sizes.
The overall tone feels engineered and futuristic with a clear nod to retro digital and arcade-era aesthetics. Its outline construction reads as technical and schematic, balancing playful quirk from the notches with a disciplined, modular structure. The result is crisp and graphic, with a distinctive “built from parts” personality.
The design appears intended to translate a geometric, modular construction into a clean outline alphabet, using faceted cuts and notched joints to create character without adding weight. It aims for a distinctive display voice that feels both modernist and retro, emphasizing engineered shapes, tight structure, and graphic presence.
Because the face is drawn as an outline, it presents best at sizes where the inner counters and small notches remain clearly resolved; the notched details become a defining texture in words and can visually dominate at very small sizes. The spacing appears regular and grid-minded, creating a steady, tiled rhythm in lines of text.