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Free for Commercial Use

Blackletter Tana 8 is a bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, certificates, medieval, gothic, heraldic, ceremonial, authoritative, historic tone, display impact, traditional authority, decorative initials, angular, ornate, calligraphic, fractured, sharp serifs.


Free for commercial use
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This face uses a blackletter-inspired construction with dense, angular strokes and pronounced internal breaks that create a faceted, chiseled rhythm. Stems are heavy and vertical, with sharp wedge terminals and pointed joins, while bowls and diagonals resolve into tight, geometric turns rather than smooth curves. Uppercase letters are more elaborate and compact, featuring decorative spur-like details and occasional looped elements, while the lowercase simplifies into sturdy, narrow forms with consistent vertical emphasis. Numerals follow the same cut-stroke logic, mixing straight segments with small hooked terminals for a cohesive texture in setting.

Best suited for display contexts such as posters, title treatments, event branding, and heritage-styled packaging where a historic voice is desirable. It also fits certificates, invitations, and editorial heads that benefit from a traditional, authoritative texture. Use at larger sizes to preserve clarity of the inner breaks and sharp terminals.

The overall tone is historic and formal, evoking manuscripts, heraldry, and traditional signage. Its dark color and crisp angles project seriousness and authority, with an ornate edge that reads as ceremonial rather than casual. The texture feels dramatic and period-coded, lending a sense of gravitas to short statements.

The design appears intended to deliver a classic blackletter presence with strong vertical structure and decorative sharpness, balancing ornate capitals with more repeatable lowercase forms. Its consistent cut-stroke detailing suggests a focus on producing a bold, period-evocative texture for impactful, attention-grabbing typography.

Word shapes appear tightly knit, producing a strong horizontal band of black that rewards larger sizes where the internal counters and fractures can be clearly seen. The capitals draw attention and work well as initials, while the lowercase maintains a steady, disciplined rhythm suitable for impactful lines rather than long, dense paragraphs.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸