Sans Faceted Urke 7 is a very bold, very wide, low contrast, upright, tall x-height font visually similar to 'Clonoid' by Dharma Type and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming ui, sports branding, futuristic, techy, industrial, game-like, assertive, sci-fi branding, high impact, mechanical feel, interface style, angular, chamfered, octagonal, geometric, blocky.
A heavy, geometric sans built from straight strokes and crisp chamfered corners, with faceted, near-octagonal counters and simplified curves. The forms emphasize broad, squared proportions and a steady, mechanical rhythm, while cut-in notches and angled terminals add a hard-edged, engineered feel. Counters are compact and often rectangular or polygonal, and several glyphs use stencil-like separations or slot cuts that reinforce the planar construction.
Best suited to display applications where the faceted geometry can be appreciated—headlines, posters, logos, esports and game UI, product names, and high-impact branding. It can also work for short labels or signage where a technical, machined impression is desired, but extended paragraphs will look dense due to the compact counters and heavy texture.
The overall tone is futuristic and industrial, evoking sci‑fi interfaces, arcade and racing aesthetics, and utilitarian hardware labeling. Its sharp facets and dense silhouettes project confidence and speed, making the voice feel bold, technical, and slightly aggressive.
The design appears intended to translate a machined, faceted aesthetic into a practical sans alphabet—prioritizing bold presence and a consistent planar construction over softness or calligraphic modulation. The repeated chamfers and slot-like cuts suggest an aim toward futuristic branding and interface-style typography.
In text, the strong block shapes create a prominent texture and can darken quickly at smaller sizes, while the distinctive notches and faceting become a defining detail at display sizes. Numerals follow the same angular construction, with segmented, beveled shapes that read as digital-mechanical rather than humanist.