Sans Superellipse Pydal 1 is a regular weight, narrow, monoline, upright, normal x-height font visually similar to 'Cream Opera' by Factory738 and 'MVB Diazo' by MVB (names referenced only for comparison).
Keywords: ui labels, wayfinding, data tables, packaging, posters, clean, modern, utilitarian, technical, condensed, space saving, clarity, neutral voice, systematic geometry, rounded corners, vertical stress, compact, even rhythm, high legibility.
A condensed sans with monoline construction and softly squared, superelliptic curves. Strokes are consistently weighted with minimal contrast, and terminals are clean and mostly flat, giving counters a rounded-rectangle feel rather than purely circular bowls. Proportions are tall and compact with tight, efficient sidebearings; round letters like O/C/G read narrow with controlled curvature, while straight-sided forms (H, N, U) emphasize a vertical, engineered rhythm. Lowercase shows a single-storey a and g, open apertures, and short, functional joins that keep silhouettes crisp at text sizes. Numerals follow the same compact, squared-round logic, with clear differentiation and steady alignment.
Works well where horizontal space is limited—UI labels, navigation, dashboards, tables, and condensed headings—while maintaining clarity in short paragraphs. The steady texture and compact forms also suit packaging and signage that need a modern, economical line length.
The overall tone is contemporary and practical, with a no-nonsense clarity that feels at home in interfaces and information-heavy layouts. Rounded-rectangular shaping softens the strict condensation, adding a friendly, approachable edge without becoming playful.
Likely designed to deliver high information density with a calm, contemporary voice. The superelliptic rounding suggests an intent to blend technical precision with a smoother, more approachable geometry for everyday screen and print use.
In the sample text, the narrow set width and consistent stroke texture create a dense, efficient color on the page. Punctuation and basic symbols appear visually restrained and aligned to the same squared-round theme, supporting a cohesive, system-like impression.