Font Hero

Free for Commercial Use

Outline Nivy 6 is a very light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, logos, packaging, posters, magazine, art deco, elegant, airy, refined, modern, display focus, luxury tone, deco revival, editorial flair, logo ready, monoline, geometric, linear, delicate, crisp.


Free for commercial use
Customize the font name

This is a monoline outline design built from single, hairline contours with open counters and a clean, unshaded interior. Curves are smooth and near-geometric (notably in O/Q/C), while straights are crisp and upright with consistent stroke thickness throughout. Many forms include a parallel inner return or doubled contour along one side, creating a subtle inline-like echo that adds dimensionality without adding weight. Terminals are mostly straight and clean, with occasional tapered joins and slender diagonals that keep the overall rhythm light and precise.

Best suited to display typography such as magazine mastheads, fashion and beauty branding, boutique packaging, and elegant event materials. It works well in short lines—titles, pull quotes, and wordmarks—where the outline construction and inline-like detail can be appreciated. For longer text or small UI sizes, its hairline outlines and interior returns may lose clarity, so pairing with a solid text face is advisable.

The font communicates a polished, fashion-forward tone with a vintage-leaning Art Deco sensibility. Its airy construction feels luxurious and editorial, emphasizing sophistication over practicality and giving headlines a poised, showroom-like presence.

The design appears intended to deliver a lightweight, high-style outline look with an added internal contour that suggests depth and craftsmanship. Its geometry and measured proportions aim to evoke refined Deco-era lettering while keeping the overall structure contemporary and minimal.

Round characters (O, 0, 8, 9) read especially well thanks to consistent curvature and careful spacing of the inner return lines. The uppercase set feels more architectural and display-oriented, while the lowercase introduces a softer, slightly more calligraphic flow in letters like a, g, and y. The thin outline and internal parallel details can visually fill in at small sizes or on low-resolution output, so the design favors generous sizes and clean reproduction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸