Sans Superellipse Vora 2 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: display, branding, logotypes, posters, headlines, futuristic, tech, minimal, clean, space-age, sci-fi aesthetic, interface tone, geometric system, modern branding, distinctive display, geometric, rounded, modular, open counters, low contrast.
A geometric sans with an ultrathin, single-stroke construction and a distinctly rounded-rectangle (superellipse) skeleton. Curves resolve into long, smooth radiused corners, while straight runs stay extended, giving many letters a stretched, capsule-like footprint. Several forms are built with deliberate openings and detached strokes (notably in C, G, S, and some lowercase), creating airy counters and a schematic, segmented feel. Terminals are consistently blunt and rounded, and the overall rhythm is horizontal and spacious, with simplified joins and minimal modulation.
Best suited to display settings where its thin strokes and distinctive segmented construction can be appreciated—headlines, posters, packaging, and tech-oriented branding. It can work for short UI labels or interface-style graphics when set large enough and with sufficient contrast, but its airy construction is less ideal for dense, small-size body text.
The font reads as futuristic and technical, evoking instrument panels, sci‑fi interfaces, and modern industrial design. Its open, constructed shapes feel precise and engineered, while the rounded geometry keeps the tone sleek rather than aggressive. Overall it projects a calm, contemporary “UI/tech” mood with a subtle retro-future flavor.
The design appears intended to translate superelliptical, rounded-rectangle geometry into an alphabet with a constructed, modular voice. By combining long horizontals, radiused corners, and strategic openings, it aims to feel sleek, modern, and interface-like while maintaining a consistent, system-driven visual logic across letters and numerals.
Distinctive detailing comes from intentional breaks and inset strokes that suggest layered rails or tracks, especially in letters like E, F, and the numerals. Round letters (O, Q, 0) are drawn as superelliptical capsules, and diagonals (K, N, V, W, X, Z) stay crisp and linear, emphasizing the font’s structural, drafted quality. In text, the thin strokes and open counters benefit from generous size and clear contrast against the background.