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Free for Commercial Use

Serif Flared Tyni 10 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Sole Sans' by CAST, 'Blooms' by DearType, 'Carrosserie' by Letterwerk, 'Autovia' by Santi Rey, and 'Kelpt' and 'Kelpt Sans' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, editorial display, retro, friendly, punchy, folksy, cheerful, attention, nostalgia, warmth, personality, display impact, flared terminals, ink-trap feel, rounded joins, soft serifs, compact counters.


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A heavy, display-oriented serif with strongly flared stroke endings and softened, bracket-like serif transitions. Strokes are broad and confident, with modest contrast and a subtly modulated, almost ink-trap-like shaping where joins and terminals pinch or notch. The letterforms are compact and sturdy, with rounded interior curves, short ascenders/descenders, and a large, prominent lowercase presence. Numerals and capitals keep a blocky, poster-like silhouette while maintaining readable apertures and clear differentiation between similar forms.

Best suited for headlines, posters, packaging, and brand marks where a strong, characterful serif is needed. It also works well for short editorial display passages, pull quotes, and signage-style typography, especially at medium to large sizes where the flared details and notched joins remain visible.

The overall tone feels retro and approachable, mixing old-style poster energy with a friendly, slightly playful warmth. Its chunky forms and flared terminals give it a handcrafted, nostalgic character that reads as bold and inviting rather than formal or delicate.

The likely intent is to deliver a bold, attention-grabbing serif that evokes vintage display typography while staying friendly and legible. The flared endings and sculpted joins appear designed to add personality and texture, helping text feel lively and distinctive in branding and promotional contexts.

The design shows a lively rhythm from subtle irregularities in curves and terminal shaping, creating texture in larger settings. Spacing appears built for impact in headlines, with dense black color and strong word shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸