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Free for Commercial Use

Script Bigip 2 is a regular weight, very narrow, high contrast, upright, short x-height font.

Keywords: logos, packaging, invitations, greeting cards, headlines, whimsical, friendly, retro, handmade, playful, handwritten charm, display flair, brand personality, decorative script, casual elegance, bouncy, loopy, calligraphic, rounded, lively.


Free for commercial use
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This script shows a calligraphic, monoline-to-slightly-modulated stroke feel with pronounced thick–thin contrast concentrated in verticals and downstrokes. Letterforms are narrow and tall with a compact x-height and generous ascenders/descenders, giving the face a lively, dancing rhythm. Terminals are rounded and often finished with small hooks or teardrop-like ends; bowls and loops are open and airy, with occasional enclosed counters in letters like e and g. Connection behavior reads as handwriting-inspired rather than strictly continuous: many lowercase letters link fluidly, while others appear more individually formed, producing an informal, natural cadence. Numerals are similarly narrow and curvy, with distinctive looped shapes (notably 2, 3, and 8) that echo the script’s swashy gestures.

This font is well suited to branding marks, boutique packaging, invitations, greeting cards, and short, expressive headlines where its lively loops can carry personality. It works best in brief phrases or names rather than long paragraphs, especially when set with comfortable tracking to preserve clarity in the narrow forms.

The overall tone is upbeat and personable, with a whimsical, slightly vintage charm. Its looping joins and soft terminals create a welcoming, handmade impression that feels casual but still polished enough for display use.

The design appears intended to mimic neat, stylized handwriting with calligraphic contrast and charming loops, balancing legibility with decorative flair. Its narrow, tall proportions and animated terminals suggest a focus on distinctive display typography for friendly, craft-oriented communication.

Capitals are more decorative and varied in structure, with prominent entry/exit strokes and occasional internal loops that add personality in titles. Spacing appears intentionally uneven in a handwritten way, and the contrast and tight proportions make the style most effective at larger sizes where the delicate hairlines and small joins remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸