Sans Other Ofho 5 is a very bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, titles, packaging, game ui, quirky, playful, spooky, handmade, comic, thematic display, hand-cut feel, poster impact, quirky character, angular, irregular, chiseled, condensed caps, wavy baseline.
A heavy, angular display sans with irregular contours and subtly warped stems that create a lively, hand-cut silhouette. The letterforms lean on squared counters, notched corners, and wedge-like joins, with inconsistent stroke edges that feel intentionally rough rather than geometric. Caps are tall and compact, while the lowercase maintains a sturdy, blocky structure with simplified bowls and short, sometimes quirky terminals. Numerals follow the same choppy, cutout logic, producing a cohesive, poster-ready texture with a slightly undulating rhythm across words and lines.
Best suited for headlines, poster typography, and short, high-impact phrases where its rugged rhythm can be part of the message. It works especially well for seasonal promotions, entertainment graphics, game titles, and packaging that wants a hand-made or spooky-fun attitude. For clarity, pair it with a simpler text face and use it at medium-to-large sizes.
The overall tone is mischievous and theatrical, suggesting a vintage monster-movie or Halloween-poster energy. Its uneven, carved shapes read as playful and crafty, with a hint of menace that stays more fun than scary. The font conveys motion and personality, as if assembled from cut paper or hand-chiseled signage.
The design appears intended as a characterful display sans that prioritizes personality over neutrality. By combining blocky construction with irregular, cutout-like edges and notched details, it aims to deliver a bold, themed voice for attention-grabbing branding and titles.
Tight interior spaces and sharp notches can fill in at smaller sizes, so it benefits from generous sizing and breathing room. The irregular outlines and variable sidebearings create a bouncy word shape, which is a strength for expressive headlines but can look busy in long passages.