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Outline Urwa 5 is a very light, normal width, low contrast, italic, normal x-height font.

Keywords: headlines, fashion, editorial, invitations, posters, elegant, airy, refined, whimsical, decorative display, inline elegance, editorial flair, vintage nod, monoline, inline, calligraphic, high slant, open counters.


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A delicate italic display face drawn as an open, double-line construction that reads like a fine inline/outlined script without filled strokes. Letterforms lean strongly forward with smooth, calligraphic curves and tapered terminals, while the interior parallel contour follows the outer shape consistently to create a light, airy rhythm. Capitals are narrow and lively with gentle serifs and looping joins in rounded forms (notably C, G, O, Q), and the lowercase shows a modest x-height with long ascenders/descenders that emphasize vertical elegance. Numerals echo the same double-stroke structure and slanted posture, with simple, legible shapes and generous whitespace inside the outlines.

Best suited to short, prominent settings such as magazine headlines, fashion branding, event invitations, and poster titling where the delicate inline outline can be appreciated. It can work for short paragraphs in large sizes, but its fine construction favors display use over small text or low-contrast reproduction.

The overall tone is sophisticated and slightly playful—more couture and editorial than utilitarian. Its fine double-line drawing suggests delicacy and precision, giving text a decorative shimmer that feels vintage-leaning and romantic rather than stark or technical.

The design appears intended to translate an elegant italic serif into a decorative inline outline, prioritizing grace, motion, and a refined engraved feel. It aims to provide a light, distinctive voice for premium or celebratory typography where ornament comes from structure rather than heavy stroke weight.

The consistent inner contour creates a strong “engraved” or “inline” effect, especially visible in rounded letters and bowls, while diagonals and joins remain clean and controlled. Spacing appears comfortable in the sample text, but the extremely light construction makes it most effective when given room and contrast against a clean background.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸