Sans Normal Limah 8 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Mollen' by Eko Bimantara, 'CF Blast Gothic' by Fonts.GR, 'Radio Station JNL' by Jeff Levine, 'Aago' and 'Aaux Next Comp' by Positype, and 'Morale' by Sensatype Studio (names referenced only for comparison).
Keywords: headlines, posters, sportswear, packaging, signage, sporty, urgent, punchy, dynamic, bold, attention, motion, emphasis, impact, branding, slanted, compact, rounded, blocky, high-impact.
A compact, heavy slanted sans with rounded curves and sturdy, blocklike construction. Strokes stay broadly even, with softened corners and oval counters that keep the forms legible despite the dense weight. The italic angle is pronounced and consistent, creating a forward-leaning rhythm; diagonals and joins are clean and simplified rather than calligraphic. Figures follow the same chunky, rounded logic, reading clearly at display sizes with a tight, energetic texture.
Best suited to headlines and short bursts of text where impact matters—posters, sports and event graphics, packaging callouts, and punchy signage. The strong slant and dense weight make it especially effective for emphasis in branding, promotions, and display typography, while extended paragraphs may feel heavy and fast-paced.
The overall tone is forceful and kinetic, with a forward drive that feels sporty and attention-grabbing. Its dense black shapes and steady slant suggest motion, urgency, and assertive branding. The rounded detailing keeps the attitude friendly enough for mainstream commercial use rather than aggressive or harsh.
The design appears intended as a high-impact slanted sans for display settings, prioritizing momentum and bold presence while keeping letterforms simple, rounded, and broadly legible. It aims to deliver a compact, energetic typographic voice that reads quickly and stands out in crowded layouts.
The font maintains a consistent, compact silhouette across capitals, lowercase, and numerals, producing a strong, uniform color in words. Round letters like O/C/S lean toward oval forms, while straight-sided letters maintain solid, simplified terminals that support a bold, poster-like presence.