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Sans Superellipse Gymim 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Geometris' by NicolassFonts, 'Aaux Next' by Positype, and 'Hoxton North' and 'Knul' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, utilitarian, punchy, techy, impact, clarity, modernity, robustness, geometric, rounded, blocky, compact, high-contrast (space).


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A heavy geometric sans with rounded-rectangle construction and strongly simplified contours. Strokes are uniform and dense, with broad, squared terminals and generously rounded corners that keep the texture from feeling sharp. Counters tend to be compact and fairly closed (notably in letters like a, e, and s), producing a tight, assertive color on the page. Uppercase forms are wide and steady with clean, modular curves, while lowercase shows single-storey a and g, a short-armed r, and a compact t; numerals are similarly blocky with large bowls and minimal detailing.

Best suited to display use where weight and compact counters help deliver impact—headlines, posters, and bold brand marks. The sturdy shapes also fit packaging and signage/wayfinding applications where a solid, simplified silhouette is desirable.

The overall tone is direct and high-impact, combining industrial sturdiness with a contemporary, slightly friendly softness from the rounded geometry. It reads as practical and no-nonsense, with a subtle tech and wayfinding vibe that emphasizes clarity and presence over delicacy.

The design appears intended to deliver maximum legibility-by-silhouette and visual punch through geometric, rounded construction and restrained detailing. Its closed forms and consistent stroke treatment suggest a focus on strong branding presence and robust display typography.

Spacing and sidebearings appear balanced for large setting, but the tight apertures and closed counters create a strong, dark typographic mass that can feel compressed at smaller sizes. The rounded-square logic is consistent across curves and joins, giving the design a cohesive, modular rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸