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Sans Normal Opkev 3 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Epoca Classic' by Hoftype, 'Ragik Sans' by Hurufatfont, 'Big Vesta' and 'Optima Nova' by Linotype, 'Skeena' by Microsoft Corporation, 'Alinea Incise' by Présence Typo, and 'Cora' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, contemporary, approachable, solid, impact, clarity, modernity, approachability, versatility, rounded, open counters, large apertures, soft joins, low stress.


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This typeface presents a robust, geometric sans look with generous curves and clean, largely uniform stroke endings. Round letters (O, C, G) are built from broad circular forms with open counters, while straight-sided characters (E, F, H, N) keep a steady, squared-off rhythm without sharp brittleness. Joins and terminals feel slightly softened, avoiding spiky details and supporting a smooth overall texture in text. The lowercase is straightforward and compact, with simple single-storey forms for a and g, and a clear, utilitarian numeral set that matches the heavy, even color of the letters.

It works best in display contexts such as headlines, posters, brand marks, packaging, and wayfinding where a sturdy, friendly sans voice is needed. The strong weight and open shapes also support short text blocks and UI callouts where quick recognition and emphasis are priorities.

The overall tone is friendly and modern, with a confident, no-nonsense presence. Its rounded geometry and open shapes make it feel approachable rather than severe, while the heavy color gives it a strong, attention-holding voice suitable for bold messaging.

The design appears intended to deliver a modern geometric sans with an approachable tone and high visual impact. By combining round, open forms with steady, plain terminals, it aims for clear communication and dependable performance in prominent, attention-driven typography.

Spacing appears comfortable at display sizes, producing an even typographic color without looking cramped. The forms emphasize clarity through large apertures and simple construction, favoring legibility and impact over decorative character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸