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Free for Commercial Use

Sans Other Janin 1 is a regular weight, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, logos, posters, packaging, ui labels, tech, futuristic, geometric, modular, retro, distinctiveness, tech aesthetic, modular system, display impact, rounded corners, squared curves, monoline, closed apertures, angled terminals.


Free for commercial use
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A monoline sans built from straight strokes and squared-off curves, with rounded corners that soften the otherwise modular construction. Many bowls and rounds read as squarish rectangles, while terminals frequently end in crisp angles or flat cuts, producing a slightly engineered, stencil-like rhythm without actual breaks. Proportions are generally compact with a steady baseline and consistent stroke thickness; counters tend to be tight, giving several letters a closed, boxy feel. The overall texture is clean and even, with distinctive, sometimes asymmetric details that emphasize a constructed rather than calligraphic skeleton.

Best suited to headlines, logos, posters, and branding where a tech-forward, constructed look is desirable. It can also work for short UI labels or interface-style graphics when a stylized, futuristic flavor is preferred over maximum readability in long passages.

The tone is distinctly techno and retro-futuristic, evoking digital interfaces, sci‑fi titling, and 1970s–1980s industrial graphics. Its squared curves and clipped joins create a purposeful, machine-made voice that feels modern but stylized rather than neutral.

Likely designed to deliver a distinctive, constructed sans voice by combining geometric squareness with rounded corners and clipped terminals. The aim appears to be strong recognizability and a consistent modular system that holds up well in bold, high-contrast applications.

Several glyphs use unconventional shaping—particularly in curved letters and numerals—so the design reads as a display-minded sans even at text sizes. The mixture of strict geometry with occasional playful hooks and angled joins adds personality while keeping an overall disciplined grid-like logic.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸