Sans Superellipse Tilod 9 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Mosquich' by FallenGraphic, 'Grillmaster' by FontMesa, 'Bellfort' by GRIN3 (Nowak), 'Cairoli Classic' by Italiantype, 'Dense' by North Type, 'Cargi' by Studio Principle Type, and 'Cervino' by Typoforge Studio (names referenced only for comparison).
Keywords: posters, headlines, packaging, labels, signage, industrial, utilitarian, condensed, retro, rugged, space saving, high impact, print texture, signage tone, sturdy, inked, compact, blocky, textured.
A compact, condensed sans with rounded-rectangle geometry and softly squared curves. Strokes are heavy and mostly even, with gentle rounding at corners and terminals that keeps the forms friendly despite their density. The outlines show slight irregularity and inky texture, giving counters and joins a subtly worn, stamped feel rather than a perfectly polished digital edge. Spacing is tight and the overall rhythm is vertical and efficient, producing strong color in lines of text.
Best suited for posters, headlines, short captions, packaging, and labels where a dense, high-impact texture is desirable. It can also work for signage and UI accents when you want a compact, utilitarian tone, though extended body text may feel tight due to the condensed proportions and strong weight.
The font reads as practical and workmanlike, with an industrial, poster-like presence. Its slight roughness adds a vintage, tactile character—suggesting ink on paper, labeling, or utilitarian signage—without becoming overtly distressed. Overall it conveys directness and toughness with a hint of mid-century nostalgia.
The design appears intended to deliver maximum impact in minimal horizontal space, pairing rounded-rectangle construction with sturdy strokes for clear, assertive messaging. The slightly imperfect edge treatment suggests an intentional tactile or printed feel, aiming to evoke practical, real-world typography rather than pristine geometry.
Round letters lean toward squarish bowls and compact apertures, and many glyphs emphasize straight sides with rounded corners. The numerals and uppercase forms feel especially sign-like and compact, helping the face hold its shape at smaller sizes while still projecting a strong headline voice.