Sans Other Bibav 11 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, packaging, kids, branding, playful, hand-cut, poster, retro, friendly, handmade feel, display impact, approachability, quirkiness, informal tone, rounded, chunky, irregular, tapered, bouncy.
A heavy, monoline sans with deliberately uneven geometry and a slightly wobbly baseline rhythm. Strokes stay consistently thick, but terminals and joins show hand-cut quirks: angled cuts, tapered ends, and occasional spur-like corners. Counters are generally open and rounded, with softened curves on letters like C/O/S and more chiseled, asymmetric construction on forms like K/M/N. The overall silhouette reads compact and chunky, with small variations in width and tilt across individual glyphs that create a lively, informal texture in text.
Best suited to display settings where character is desired: posters, headlines, playful branding, packaging, event promos, and editorial callouts. It works well when you want bold emphasis with a handmade feel, and it’s especially effective in short phrases, signage-style layouts, or large typographic compositions.
The font conveys a crafty, upbeat personality—like cut-paper lettering or a marker-drawn display face that’s been refined into a consistent system. Its irregularities feel intentional and expressive, giving copy a casual, humorous tone and a sense of motion.
The design appears intended to offer a bold sans voice with a handcrafted, cut-and-paste sensibility—prioritizing personality and visual punch over strict geometric uniformity. Its consistent stroke weight and simplified letterforms suggest a focus on easy readability while keeping an intentionally quirky, informal rhythm.
Uppercase and lowercase are clearly distinguished, with the lowercase leaning toward rounded, simplified forms and the uppercase showing more angular cuts. Numerals match the same chunky, cut-terminal style, maintaining strong color and presence. At larger sizes the quirky details become a feature; at smaller sizes the irregularities may read as texture rather than strict precision.