Font Hero

Free for Commercial Use

Sans Superellipse Tekim 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'DIN Next', 'DIN Next Cyrillic', 'DIN Next Devanagari', and 'DIN Next Paneuropean' by Monotype and 'Pulse JP' and 'Pulse JP Arabic' by jpFonts (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, utilitarian, stenciled, rugged, military, stencil look, industrial labeling, high impact, rugged display, mechanical tone, gapped, chunky, high-impact, weathered, mechanical.


Free for commercial use
Customize the font name

A heavy, compact sans with a stencil construction: most letters are built from rounded-rectangle masses interrupted by consistent gaps that create bridges and cut-ins. Curves tend toward squarish superellipse-like rounds, while straight strokes stay blocky with minimal modulation. The rhythm is punchy and dark, with tight internal counters and frequent vertical breaks through bowls and stems that emphasize a segmented, engineered feel. Terminals are blunt and cropped, and the overall spacing reads sturdy and poster-forward rather than delicate or texty.

Best suited for display applications where a tough, stenciled look is desired: posters, headlines, product packaging, signage, and industrial-style labels. It works well for short bursts of text such as badges, section headers, and numbering, especially where strong contrast against the background and quick recognition are important.

The font conveys an industrial, utilitarian tone—assertive and practical, like equipment labeling or shipping marks. Its stencil gaps add a rugged, workmanlike personality and a sense of functional constraint, giving it a militaristic or factory-coded voice. The overall impression is loud, durable, and purpose-built.

The design appears intended to deliver a robust stencil aesthetic with rounded-rect geometry, balancing strict mechanical construction with friendly, softened corners. By standardizing the breaks across shapes, it aims to evoke manufactured marking and cut-out lettering while maintaining consistent, high-impact word shapes.

The stencil logic is applied broadly across capitals, lowercase, and numerals, producing strong silhouette recognition at display sizes but more visual noise as sizes shrink. Several glyphs rely on narrow apertures and tight counters, and the repeated vertical splitting in rounded forms creates a distinctive cadence across words.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸