Sans Contrasted Omny 6 is a bold, very narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, magazine, packaging, condensed, assertive, editorial, modernist, authoritative, space saving, visual impact, editorial clarity, modern display, compact branding, high contrast, vertical, crisp, compact, tall.
A condensed, tall-proportioned typeface with a strong vertical rhythm and clean, unslanted construction. Strokes show clear thick–thin modulation, with prominent verticals and lighter joins and curves, giving letters a crisp, chiseled feel without decorative terminals. Counters are compact and relatively closed in rounded forms, while straight-sided shapes (like E, F, H, N) read especially firm and architectural. Lowercase forms maintain a straightforward, legible skeleton with compact bowls and narrow apertures, and figures are similarly condensed with an even, tightly set color.
Best suited to headlines, subheads, and short editorial lines where its condensed proportions and contrast can add impact while conserving space. It can also work well in branding and packaging where a tall, compact wordmark needs presence. For extended text, it will likely perform better at larger sizes with comfortable line spacing.
The overall tone is confident and editorial, balancing modern clarity with a slightly dramatic, poster-ready contrast. Its narrow width and emphatic verticals create an efficient, no-nonsense presence that feels suited to headlines and attention-setting display use rather than soft or casual messaging.
The design appears intended to deliver a space-saving, high-impact voice: condensed proportions for efficient line fit, paired with noticeable contrast to add sophistication and punch. It aims for a clean, contemporary look with a strong, vertical silhouette that holds up well in display settings.
Spacing appears tight by nature of the condensed design, and the contrast becomes more noticeable at larger sizes where the thin joins and horizontals sharpen the texture. The narrow apertures and compact counters create a dense typographic color, which can look striking in short bursts but may feel busy in long passages at small sizes.