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Free for Commercial Use

Sans Superellipse Pigen 8 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Kaneda Gothic' by Dharma Type, 'Akkordeon' by Emtype Foundry, 'Garmint' by Maulana Creative, 'Monopol' by Suitcase Type Foundry, and 'Polate' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, industrial, condensed, authoritative, sporty, poster-ready, space saving, high impact, modern utility, clear signage, vertical stress, squared curves, tight spacing, compact, uniform stroke.


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This is an all-caps–friendly condensed sans with extremely vertical proportions and compact counters. Strokes are heavy and largely uniform, with rounded-rectangle (superellipse-like) curves in bowls and numerals that keep the forms sturdy rather than soft. The design relies on straight sides, short terminals, and minimal modulation, producing crisp silhouettes and dense texture in text. Lowercase features a tall x-height with simple, narrow apertures and short ascenders/descenders, maintaining a tightly packed rhythm.

Best suited for high-impact display settings such as headlines, posters, banners, labels, and short callouts where dense, condensed letterforms help maximize words per line. It can also work for wayfinding or large-format signage where strong strokes and compact widths improve visibility at distance.

The overall tone is forceful and utilitarian, with a straightforward, no-nonsense presence. Its compressed width and dark color create a sense of urgency and impact typical of headlines, signage, and competitive or industrial branding.

The design appears intended to deliver maximum visual punch in minimal horizontal space, combining blunt geometry with rounded-rectangle curves for a contemporary, engineered feel. It prioritizes solidity and consistent texture over delicate detail, aiming for reliable readability in bold display contexts.

Round letters like O/C/G/Q read as squarish ovals with subtly rounded corners, and the numerals share the same compact, blocky construction for consistent color. In longer lines the tight proportions and heavy weight create strong emphasis, so generous leading and careful tracking can help keep paragraphs from feeling crowded.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸