Sans Superellipse Feguh 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Good' by FontFont, 'Muller' and 'Muller Next' by Fontfabric, 'Interval Next' by Mostardesign, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app headers, sporty, dynamic, confident, modern, punchy, emphasis, impact, speed, branding, modernity, slanted, geometric, compact, rounded corners, high impact.
A heavy, forward-slanted sans with compact proportions and broad, sturdy strokes. Curves and bowls are built from rounded-rectangle geometry, giving counters a squarish, superelliptical feel rather than purely circular forms. Terminals are clean and mostly cut on a consistent slant, and joins stay blunt and solid, producing a dense, poster-ready texture. The overall rhythm is tight and assertive, with wide curves on letters like O/Q and simplified, blocky structures across both cases and numerals.
Best suited to display use where impact matters: headlines, advertising, sports and athletic branding, packaging callouts, and bold app or web headers. The strong fill and tight construction help it hold up in short phrases and large sizes, where its angled stance and rounded-rectangular counters can be clearly seen.
The font projects speed and urgency through its italic angle and compact, forceful silhouettes. Its rounded-rectangular construction keeps the tone contemporary and engineered, while the heavy color makes it feel confident and attention-seeking. Overall it reads as energetic and no-nonsense rather than delicate or expressive.
The design appears aimed at delivering a modern, high-energy italic sans that feels engineered and compact, combining blunt strength with softened geometry. Its consistent slanted cuts and superelliptical rounding suggest a focus on speed, clarity, and bold visual presence in branding and promotional typography.
Uppercase forms are especially compact and uniform in weight, while lowercase retains the same stout, slanted construction for a cohesive voice in mixed-case settings. Numerals match the letterforms in mass and geometry, maintaining consistent presence in headlines and short UI-style strings.