Print Henar 3 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, comics, logos, playful, handmade, quirky, raw, bold, handmade feel, expressive display, diy texture, casual voice, high impact, brushy, chunky, angular, irregular, textured.
A chunky, hand-drawn print with brush-like strokes and uneven, organic edges. Letterforms are mostly monoline in feel but show visible stroke wobble, slight tapering, and occasional blunt terminals, creating a rough inked texture. Proportions are irregular and variable, with compact bowls, angular joins, and a slightly boxy, carved-in silhouette in places (notably in rounds like O and Q). Spacing and sidebearings appear intentionally inconsistent, reinforcing an informal, drawn-by-hand rhythm while remaining readable in short lines of text.
Best suited for display contexts such as posters, covers, branding marks, packaging, and short headline copy where its handmade texture can be appreciated. It also fits comic-style lettering and playful signage. For longer text, it will work most comfortably in brief bursts, as the intentionally irregular rhythm can become visually busy at paragraph lengths.
The font conveys a lively, mischievous tone—casual and expressive rather than polished. Its roughened edges and punchy shapes suggest a DIY energy that feels youthful, zine-like, and slightly rebellious, while still staying friendly and legible.
The design appears intended to capture the immediacy of hand-lettered marker or brush writing in an unconnected, print style. Its purpose is expressive impact—prioritizing personality, texture, and an imperfect human feel over strict geometric consistency.
Capitals are assertive and graphic, while lowercase maintains the same chunky stroke character with simplified forms and occasional angular counters. Numerals match the handmade treatment and vary in width, contributing to the overall irregular cadence. The texture and unevenness become more prominent at larger sizes, where the brushy contours read as a stylistic feature rather than noise.