Sans Faceted Lilo 10 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, ui labels, sci‑fi titles, futuristic, techy, geometric, industrial, game-like, geometric system, tech aesthetic, display impact, constructed forms, futuristic branding, angular, chamfered, modular, octagonal, crisp.
A monoline sans built from straight segments and consistent chamfered corners, replacing curves with faceted, polygonal joins. The outlines feel modular and engineered, with generous internal counters and wide, open apertures that keep forms legible despite the angular construction. Capitals are broadly proportioned and stable, while lowercase follows the same faceted logic with simplified bowls and short, straight terminals. Numerals and round forms (like O/0) read as octagonal rings, and diagonals are handled with clean, even stroke transitions for a uniform rhythm across the set.
Best suited to display applications such as headlines, branding marks, posters, product naming, and interface labels where a geometric, technical voice is desired. It can work for short text and captions when sizes are sufficient to preserve the angular details and keep similar forms distinct.
The sharp facets and clipped corners give the font a sci‑fi, technical tone—clean, modern, and slightly retro-digital. It conveys a sense of precision and machinery, with a distinctive “constructed” character that feels at home in speculative or high-tech contexts.
The font appears designed to translate a sans-serif skeleton into a faceted, planar system, prioritizing a cohesive geometric language and a futuristic visual signature. Its consistent chamfers and polygonal curves suggest an intention to feel engineered and digital while remaining readable and structured.
The design maintains a consistent corner treatment across nearly all glyphs, creating strong stylistic cohesion. Some characters lean toward sign-like simplification (notably circular letters and diagonals), which emphasizes identity over neutrality and makes the face most effective at larger sizes where the faceting is clearly perceived.