Sans Normal Abkom 9 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Syabil' by Eko Bimantara, 'Conamore' by Grida, 'Dialog' and 'Frutiger Next Paneuropean' by Linotype, 'Camphor' by Monotype, 'Clara Sans' by Signature Type Foundry, 'Andulka Sans' and 'Quercus Sans' by Storm Type Foundry, and 'NuOrder' by The Northern Block (names referenced only for comparison).
Keywords: ui text, editorial, branding, signage, infographics, modern, clean, technical, dynamic, neutral, legibility, versatility, modernization, emphasis, clarity, oblique, geometric, rounded, open counters, high legibility.
This is a clean, oblique sans with a geometric backbone and softly rounded joins. Strokes are even and low-contrast, with smooth curves and open apertures that keep forms clear at text sizes. Proportions are straightforward and slightly spacious, with a steady rhythm and predictable spacing; round letters stay close to circular while diagonals (in forms like A, K, V, W, X) feel crisp and stable. The lowercase shows a compact, practical construction with simple terminals and a single‑storey a and g, and the numerals follow the same plain, readable logic.
It works well for UI copy, dashboards, and product typography where an italic voice is needed without sacrificing clarity. The steady, geometric construction also suits contemporary branding, wayfinding and signage, and data/infographic labeling where consistent letterforms and readable numerals matter.
The overall tone is contemporary and matter-of-fact, with a subtle sense of motion from the slant. It reads as neutral and functional rather than expressive, lending a polished, professional feel suitable for interface and information-forward design.
The design appears intended as a versatile, modern sans italic that stays legible and restrained, providing emphasis and hierarchy while maintaining a clean, system-friendly texture.
The italic is an oblique style rather than a calligraphic italic: curves and terminals remain consistent with the roman structure, and the texture stays smooth and even in longer passages. Counters remain open in letters like e, s, and a, which supports clarity in dense text.