Sans Normal Edraz 9 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'FS Albert Paneuropean' by Fontsmith; 'Avenir Next Paneuropean' by Linotype; 'Interval Next' by Mostardesign; and 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: ui labels, editorial, captions, branding, signage, modern, clean, technical, efficient, neutral, compact clarity, built-in emphasis, systematic styling, modern utility, monoline, oblique, rounded, open counters, compact.
This typeface is a compact, oblique sans with monoline strokes and softly rounded curves. Letterforms are built from simple geometric arcs and straight segments, producing open counters and clear internal space despite the tight proportions. The slant is consistent across capitals, lowercase, and numerals, with a steady rhythm and restrained terminals that keep shapes crisp rather than calligraphic. Numerals follow the same streamlined construction, with smooth, continuous curves and minimal stroke modulation.
It suits interface labels, navigation, and compact typographic systems where space is limited but legibility must remain steady. The oblique stance also makes it useful for editorial subheads, pull quotes, and brand lines that need emphasis without resorting to heavier weight. It can work well in signage and informational graphics where a clean, consistent texture is preferred.
The overall tone is contemporary and matter-of-fact, projecting clarity and efficiency rather than personality-forward display flair. Its steady slant adds a subtle sense of motion and emphasis while remaining calm and controlled, lending a slightly technical, editorial feel.
The design appears intended to deliver a space-saving, contemporary sans with a built-in slant for emphasis, balancing straightforward geometry with enough openness to stay readable in continuous text.
The design maintains a uniform stroke presence and consistent curvature, helping mixed-case text feel cohesive in running settings. Round letters (like O/C/G) read smooth and even, while diagonals (like A/V/W/X) feel taut and space-conscious, reinforcing the condensed, utilitarian texture.