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Free for Commercial Use

Sans Superellipse Abmob 8 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Frygia' by Stawix, 'Reznik' by The Northern Block, and 'Breuer Text' by TypeTrust (names referenced only for comparison).

Keywords: ui design, branding, signage, editorial, presentations, clean, modern, neutral, friendly, technical, legibility, modernity, neutrality, systematic design, approachability, geometric, rounded, crisp, open, straight-sided.


Free for commercial use
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This sans-serif uses a geometric, superelliptical construction: round letters are based on rounded-rectangle forms with subtly flattened sides, and curves transition smoothly into straight segments. Stroke weight is even and consistent, with clean terminals and minimal modulation. Counters are open and generously shaped (notably in e, a, and s), while verticals read sturdy and calm. The lowercase shows a single-storey a and g, a compact, tidy i/j with round dots, and a straightforward, functional rhythm that stays clear in text. Numerals follow the same rounded geometry, with wide, stable bowls and simple, legible silhouettes.

This font suits interface and product work where clarity and calm rhythm are important, including dashboards, app UI, and web typography. Its rounded-rect geometry also works well for contemporary branding systems and wayfinding, and it holds up in presentations and editorial settings where a clean, modern sans is expected.

The overall tone is contemporary and restrained, with a friendly softness coming from the rounded corners and superellipse-based curves. It feels practical and dependable rather than expressive, giving text a clear, no-nonsense voice that still avoids harshness. The geometry adds a subtle tech and UI sensibility without becoming cold.

The design appears intended to deliver a highly legible, contemporary sans with a consistent superelliptical geometry, balancing technical neatness with approachable rounding. It prioritizes clean outlines, open counters, and predictable forms to perform reliably across headings and body text.

The typeface maintains consistent curvature logic across rounds (C, G, O, Q) and diagonals (A, V, W, Y), producing a cohesive texture. Spacing appears balanced for continuous reading, and the forms stay recognizable at display sizes due to their simplified, stable outlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸