Sans Faceted Nire 3 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Raven Hell' by Creativemedialab, 'Cord Nuvo' by Designova, 'Over The Roof' by Namara Creative Studio, 'Stallman Round' by Par Défaut, 'Motte' by TypeClassHeroes, 'Robson' by TypeUnion, and 'Amarow' and 'Sharpix' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, industrial, gothic, authoritative, vintage, sporty, impact, compactness, signage feel, geometric system, condensed, blocky, faceted, angular, chamfered.
A condensed, heavy display sans built from straight strokes and planar facets, with corners cut into crisp chamfers rather than true curves. Vertical strokes dominate, counters are compact, and terminals are mostly flat, producing a tight, poster-like rhythm. The lowercase follows the same hard-edged construction with simplified joins and sturdy bowls, while the numerals mirror the condensed proportions and squared-off geometry for consistent texture across lines.
This face is suited to impactful headlines and short text where a compact, high-density word shape is desirable—posters, branding marks, packaging, and label-style typography. It can also work for signage-inspired graphics and apparel-style wordmarks, particularly when you want a strong vertical rhythm and a hard-edged voice.
The overall tone is stern and mechanical, evoking utilitarian signage and vintage poster lettering. Its sharp facets and compressed stance add a disciplined, no-nonsense energy that can also read as sporty or workwear-inspired in bold settings.
The font appears intended as a bold, condensed display sans that substitutes curved construction with faceted cuts to deliver a distinctive, engineered look. The goal seems to be maximum impact and recognizability in large-scale applications while maintaining a consistent geometric system across caps, lowercase, and figures.
Spacing appears tuned for dense headline setting, with relatively small internal apertures that hold together best at larger sizes. The design’s consistent chamfering creates a cohesive “cut metal” impression, especially noticeable where curves would normally round out forms.