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Free for Commercial Use

Sans Normal Osnik 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Franklin Gothic SB' by Scangraphic Digital Type Collection, 'Indecise' by Tipo Pèpel, and 'Globe' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, assertive, industrial, robust, straightforward, boldly utilitarian, impact, clarity, economy, solidity, headline emphasis, chunky, compact counters, dense color, flat terminals, geometric leaning.


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A very heavy, geometric-leaning sans with rounded bowls, firm verticals, and minimal modulation. Curves are broad and smooth, while terminals are generally flat and decisively cut, producing a solid blocky silhouette. The proportions favor compact interior spaces and strong stems, giving text a dense, high-impact rhythm; shapes like the ‘a’ and ‘g’ are single-storey, reinforcing the simplified, contemporary construction.

Best suited to headlines, posters, packaging, signage, and branding moments that need a strong, compact voice. It can work for short subheads and callouts where density and emphasis are desired, and for labels or UI elements when a heavy, commanding weight is required. Longer paragraphs may feel visually dense due to the tight counters and strong stroke mass, so it’s most effective in display-oriented settings.

This typeface projects a confident, no-nonsense tone with a distinctly emphatic voice. Its heavy color and compact counters create a sense of punch and urgency, reading as practical and attention-grabbing rather than delicate or refined. Overall it feels direct, sturdy, and slightly industrial in mood.

The design appears intended to deliver maximum impact with simple, highly legible forms that hold together at large sizes. Its construction prioritizes strong silhouettes and consistent geometry, aiming for quick recognition and a forceful typographic presence in short bursts of text.

The uppercase set reads especially stable and monolithic, while the lowercase introduces friendly roundness through single-storey forms. Numerals are similarly weighty and straightforward, matching the overall compact, high-contrast-in-mass texture across lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸