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Free for Commercial Use

Wacky Ogso 5 is a very bold, wide, medium contrast, italic, short x-height font.

Keywords: posters, album art, event flyers, headlines, comics, playful, hand-painted, chaotic, goofy, energetic, expressiveness, handmade feel, attention-grabbing, humor, gritty texture, brushy, ragged, textured, blobby, dynamic.


Free for commercial use
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A heavy, brush-driven display face with irregular, inked edges and a visibly hand-made rhythm. Strokes swell and taper unpredictably, with occasional dry-brush breakup and chunky joins that create blobby counters and uneven terminals. Letterforms lean forward with a quick, gestural slant, and spacing feels loose and organic rather than mechanically consistent; curves are lopsided, diagonals are punchy, and stems often end in smeared, paint-like flicks. Numerals share the same painted mass and uneven stroke endings, keeping the set visually cohesive despite the deliberate inconsistency.

Best suited to short, high-impact settings where personality matters more than precision: posters, album/cover art, event flyers, comic titling, and punchy headlines. It can also work for packaging callouts or social graphics when you want an energetic, hand-painted shout, but it will be most effective at larger sizes where the ragged edges and brush texture can be appreciated.

The font projects a mischievous, offbeat tone—more street-poster and sketchbook than polished branding. Its bold paint strokes and imperfect contours read as spontaneous and expressive, suggesting humor, noise, and a bit of rebellious energy.

The design appears intended to mimic fast brush lettering—bold, imperfect, and deliberately uneven—to create a one-off, expressive voice. Its construction emphasizes gesture, texture, and playful distortion over typographic regularity, making it ideal for attention-grabbing display use.

Capitals are especially chunky and graphic, while lowercase forms retain a casual handwritten feel with simplified construction and rounded, filled-in shapes. The overall texture stays high-contrast against the page due to the dense black strokes, but internal counters can tighten in letters with enclosed bowls, which heightens the gritty, marker/brush character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸