Script Bobik 9 is a regular weight, narrow, high contrast, upright, very short x-height font.
Keywords: branding, packaging, greeting cards, social media, quotes, friendly, playful, handmade, whimsical, approachable, handwritten charm, modern calligraphy, friendly display, personal tone, looping, bouncy, calligraphic, brushy, monoline feel.
A lively handwritten script with a brush-pen character and clear stroke modulation. Letterforms are mostly upright with a gently bouncy baseline and narrow, compact proportions, while widths vary from glyph to glyph for an organic rhythm. Strokes show tapered entrances and exits, rounded terminals, and occasional teardrop-like joins; capitals are taller and more gestural, with a few decorative loops (notably in letters like Q and F). Lowercase forms are simple and legible, with single-storey a and g, long ascenders, modest descenders, and small, neat i/j dots. Numerals follow the same hand-drawn logic, with open curves and slightly irregular, human spacing.
This font suits short-to-medium text where a handcrafted voice is desired, such as logos, product packaging, café or boutique branding, invitations, greeting cards, and social posts. It also works well for quotes, headlines, and display lines where its loops and tapered strokes can be appreciated.
The overall tone is casual and personable, balancing a tidy, readable script with a touch of flourish. It feels upbeat and informal—like confident hand-lettering—making text appear warm, handcrafted, and slightly whimsical rather than strictly formal.
The design appears intended to mimic clean modern hand-lettering: readable and friendly at a glance, but embellished with occasional loops and expressive capitals to create personality. The consistent brush-like modulation suggests a focus on conveying warmth and craft while remaining usable for everyday display typography.
Stroke contrast is used more as brush pressure than as a rigid calligraphic angle, which adds spontaneity and texture. Connections between letters appear more natural in lowercase sequences, while capitals tend to stand more independently and act as expressive anchors. The font keeps counters open and curves generous, supporting clarity even with the decorative swashes.