Sans Superellipse Usmy 6 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'Vito' by Dots&Stripes Type, 'Boxley' by Shinntype, and 'Obvia Expanded' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, tech, industrial, modern, friendly, confident, impact, clarity, modernity, systematic, rounded, squared, geometric, compact, sturdy.
A heavy, rounded geometric sans with squarish, superellipse-derived bowls and softly chamfered terminals. Counters tend toward rounded rectangles, giving letters like O, C, D, and G a distinctly “squared-round” silhouette. Strokes stay even and steady, with broad shoulders and minimal modulation, producing a dense, stable color in text. The lowercase shows compact, blocky forms with a short-armed t and sturdy, rounded joins; numerals follow the same rounded-rect logic with generous, enclosed counters.
This font is well suited to bold display applications such as headlines, posters, brand marks, packaging, and wayfinding where a strong, modern voice is needed. It can also work for short UI labels or section headers when a sturdy, rounded-tech aesthetic is desired.
The overall tone feels contemporary and engineered—clean, assertive, and utilitarian—while the rounded corners keep it approachable rather than harsh. Its shapes read as tech-forward and system-like, with a confident, signage-ready presence.
The design appears intended to deliver maximum impact with a controlled, geometric feel—combining industrial solidity with softened corners for broader appeal. Its superellipse construction suggests a focus on consistency, legibility at large sizes, and a distinctive, contemporary silhouette.
Spacing appears fairly open for the weight, supporting clear word shapes in short bursts, while the large footprint and rounded-square geometry create strong impact in headlines. The design’s consistent corner rounding and rectangular counters establish a recognizable, cohesive rhythm across letters and figures.