Sans Other Baloh 7 is a bold, narrow, medium contrast, upright, short x-height font visually similar to 'Designator' by TEKNIKE (names referenced only for comparison).
Keywords: headlines, posters, game ui, tech branding, titles, techno, arcade, industrial, sci-fi, mechanical, futuristic tone, digital aesthetic, display impact, system labeling, angular, squared, monoline, modular, cornered.
A compact, modular sans built from straight strokes and squared curves, with consistently rounded outer corners and sharply cut interior joins. The letterforms are largely monoline and geometric, favoring rectangular counters (notably in O, D, P, and 0) and stepped terminals that create a pixel-adjacent rhythm without being strictly bitmap. Several diagonals and junctions are simplified into angular notches or clipped corners (e.g., K, R, and X), while uppercase and lowercase share a strongly unified construction with a tight, engineered feel. Numerals follow the same boxy logic, with a squared 0 and segmented, stencil-like strokes in figures such as 2, 3, and 5.
Best suited to display applications where its angular, modular voice can lead—headlines, posters, packaging callouts, and sci-fi or gaming-oriented UI/menus. It can also work for short labels and signage where a compact, technical aesthetic is desired, but its stylized construction may be too assertive for long-form text.
The overall tone reads distinctly digital and machine-made, evoking arcade displays, techno interfaces, and retro-futuristic labeling. Its hard-edged geometry and compact spacing suggest precision and utility rather than warmth, with a playful nod to early computer graphics and sci-fi titling.
The design appears intended to deliver a futuristic, system-like sans that feels engineered and screen-native. By emphasizing squared forms, clipped joins, and a consistent modular rhythm, it aims to communicate technology, precision, and retro-digital personality in prominent sizes.
Curves are treated as rectilinear arcs, producing a consistent squircle motif across the set. The design leans on open apertures and squared bowls, which helps maintain clarity at display sizes while preserving an intentionally constructed, grid-minded character.