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Free for Commercial Use

Sans Normal Ellid 2 is a very light, normal width, low contrast, italic, normal x-height font.

Keywords: editorial, branding, packaging, headlines, posters, airy, refined, contemporary, gentle, minimal, elegance, minimalism, editorial tone, modern branding, lightness, monoline, calligraphic, open apertures, rounded terminals, humanist.


Free for commercial use
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This typeface is an ultra-thin, monoline italic with smooth, elliptical curves and a consistent forward slant. Letterforms are built from simple geometric strokes softened by humanist modulation in structure rather than contrast: open apertures, rounded joins, and clean terminals keep the rhythm light and continuous. Capitals are tall and restrained with generous internal space, while lowercase forms stay open and legible, with a single-storey a and g and long, elegant ascenders/descenders. Numerals follow the same lean, delicate construction, with rounded figures (notably 0, 8, 9) and a clean, simplified 1.

Best suited for display settings where delicacy is an asset—magazine headlines, fashion and beauty branding, premium packaging, and airy poster typography. It can also work for short editorial subheads or pull quotes when set at comfortable sizes and with ample tracking to preserve the thin stroke visibility.

The overall tone is quiet and modern, projecting elegance without heaviness. Its thin, slanted stance feels fashion-forward and editorial, with a calm, airy sophistication that reads as premium and understated rather than loud or playful.

The design appears intended to deliver a sleek, contemporary italic voice with minimal stroke presence and a smooth, circular construction. It prioritizes elegance, whitespace, and a refined reading rhythm, aiming for a premium, design-led tone rather than utilitarian density.

Spacing appears intentionally generous, helping the hairline strokes avoid visual collapse and giving words a floating, high-end feel in text. Curves are consistently smooth and circular, and diagonals (such as in V, W, X, and y) are crisp but not sharp, keeping the texture soft. The italic angle is steady across uppercase, lowercase, and numerals, reinforcing a cohesive, flowing texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸